Kari Cavén and Anne Koskinen at Vantaa Art Museum

Kari Cavén and Anne Koskinen are featured in Vantaa Art Museum Artsi’s group exhibition Empathy, running until 18 October 2026. The exhibition explores the layered nature of empathy, and examines how an individual recognizes and responds to another’s feelings while expanding the perspective: how empathy intertwines with society, culture, and interspecies relationships. Empathy is often defined as the ability to put oneself in another’s position – to understand another’s thoughts and feel their emotions. Can empathy also serve as a tool of power? How is empathy distributed differently among various human groups and species? Why do some people or animals evoke strong empathy in us, while others remain outside it?

Image: Anne Koskinen, Clementine, 2015-2017, granite, 74 x 37 x 38 cm. Photo: Jussi Tiainen

Anna Tuori’s solo exhibition in Basel

Anna Tuori’s solo exhibition Crimson and Clover has opened at Contemporary Fine Art gallery in Basel. The exhibition is on view until 6 June 2026.

“Tuori’s work begins from the unstable texture of the present. She follows the news and absorbs what surrounds her, letting that pressure settle before it finds form. “The world is so absurd that it feels like fiction.” This sense of distance, where reality slips toward illusion, is not translated literally. It is the condition from which the image takes shape. Painting offers a way to hold conflict without resolving it too quickly. Wit, violence, intimacy, and fragility coexist without settling into a single meaning.
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Her paintings ask how mortality inhabits ordinary life, and how one lives with that knowledge amid comfort. There is an existential undertow here, but also empathy. The works retain tenderness even when they address harsh subjects.“
–Nicolas Vamvouklis

Image: Anna Tuori, Paradise News, 2025, acrylic and oil on canvas, 140 x 120 cm

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Salla Tykkä at Pori Art Museum

Salla Tykkä takes part in Pori Art Museum’s group exhibition De Se Attitude. The works in the exhibition explore dimensions related to places, personal documents, and forms of work, society, and appreciation. The production of knowledge as a feminist artistic process is the central question of the exhibition. De Se Attitude is curated by Miina Hujala, and it runs until 30 August 2026. In addition to the exhibited works, the programme includes a commissioned play, a performance, and film screenings.

Image: Salla Tykkä, The Will (Testamentti), 2024, 27 min 43 sec, video, stereo

Merenmies, Ruscica and Sunna on view at Kiasma

Elina Merenmies, Jani Ruscica and Mari Sunna are featured in Museum of Contemporary Art Kiasma’s new collection exhibition A Dream in Four Colours. The exhibition presents curated selections from the Finnish National Gallery’s collection of approximately 43,000 works, and is on view until 10 January 2027. The exhibition can be experienced as one might observe a dream – through fragmentary, wondrous encounters. It invites visitors to approach art intuitively, without seeking to explain or define it. Meanings shift and shimmer, evoking ineffable experiences that resist explanation and linger beyond words.

Image: Mari Sunna, Sweet Dreams, 2021, oil on canvas, 75,5 x 60 cm. Photo: Pirje Mykkänen / Courtesy of Kiasma

Kari Cavén and Joel Slotte at Kunsthalle Helsinki

Kari Cavén and Joel Slotte are featured in Kunsthalle Helsinki’s Our Land, for All exhibition, celebrating the 20th anniversary of the Association of Finnish Fine Arts Foundations. The exhibition brings together art and fashion, exploring how personal and national identities have been shaped across different eras. It highlights how values, body ideals, clothing, and our relationship with nature influence and challenge cultural imagery and national narratives. The exhibition, curated by Annamari Vänskä, features Finnish classics, contemporary artworks, new acquisitions by the foundations, and contemporary fashion.

Image: Joel Slotte, Toipilas / The Convalescent, 2019, oil on canvas, 55 cm x 46 cm

Jorma Puranen and Santeri Tuori at Kadriorgi Art Museum

Jorma Puranen and Santeri Tuori are featured in Kadriorgi Art Museum’s exhibition Symphony of Art and Nature: The Serlachius Collection, in Tallinn. This is the first time, the Gösta Serlachius Art Foundation collection will be presented in Estonia. The exhibition brings together Finnish art classics, works by the Old Masters of Western Europe, and contemporary Finnish art, thus highlighting the common thread running through the art collection: artistic mastery. The art forms represented include painting, graphic art, photography and small sculptures.

The exhibition runs until 23 August 2026.

Image: Jorma Puranen, Toriseva, 2013, digital c-print,diasec, 155 x 120 cm

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Elina Merenmies at Sinerbrychoff Art Museum

Elina Merenmies’s painting Karkkiomakuva (Candy Self Portrait) is on view as part of Sinerbrychoff Art Museum’s exhibition Night. The exhibition explores the world of dreams, taking the viewer from dusk to dawn, and showing the many faces of the night: kind, sad, scary, and serene. Besides old European art, the exhibition features paintings, prints and sculptures from the 19th century up to the present day, all from the Finnish National Gallery’s own collection. The artworks carry on a dialogue with poetry, written by the poet Henriikka Tavi. The exhibition has been curated by Kersti Tainio.

“Dreams are collective and universal, as well as being a very private and inexplicable borderland of visions. Bedtime stories and counting sheep serve as rituals that coax us into the wellsprings of slumber. You never know where dreams will take you. It might be a journey into space, your own kitchen, or down a rabbit hole.”

Night runs until 23 August 2026.

Image: Elina Merenmies, Karkkiomakuva, 2013 , oil on canvas, 42 x 33 cm

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Jacob Dahlgren in Paris

Jacob Dahlgren takes part in Formes ouvertes exhibition at Institut Suédois, in Paris, running until 19 July. The exhibition presents the work of painter and sculptor Olle Bærtling (1911–1981), an iconic figure of abstraction, in dialogue with the works of seven international artists. Ahead of the exhibition, the institute invited visitors to participate in creating Dahlgren’s immersive installation ‘The Wonderful World of Abstraction’, to the institute’s garden. In cojuction with the exhibition Dahlgren did a performance on the streets of Paris: Demonstration is a silent, non-political group march in which participants carry signs featuring Bærtling’s paintings.

Image: Jacob Dahlgren, The Wonderful World of Abstraction, 2026, steel, silk ribbons. Photo: Vinciane Lebrun / Courtesy of Institut Suédois

Vesa-Pekka Rannikko in Hämeenlinna

In Hämeenlinna, Vesa-Pekka Rannikko’s solo exhibition Starling Gets Spots is on view at Finnish Natural Heritage Foundation’s Ikimetsägalleria, a gallery supporting the conservation work of the foundation. The exhibition features Rannikko’s delicate relief intarsias in dyed plaster and an animated drawing. The reliefs, shifting fluidly between painting and sculpture, show nature with its full intrinsic value. The little fables or thoughts suggested in the subtly coloured intarsias conjure up a translucent vapour cloud, a water droplet or the wings of a starling. The exhibition runs until 14 March 2026.

Image: Vesa-Pekka Rannikko, Willow Tit and Big Drop, 2025, dyed plaster, 37 x 27 x 3 cm. Photo: Jussi Tiainen

Joel Slotte at Tampere Art Museum

Joel Slotte is featured in Tampere Art Museum’s exhibition Encore! Classics and contemporary art from the collections. The extensive exhibition, filling all three floors of the museum, features works from the collections of the Tampere Art Museum and the City of Tampere, representing nearly 90 artists from the 1810s to the 2020s. Popular subjects of the 19th and 20th centuries are presented in dialogue with contemporary works exploring human relationships, encounters, and solitude. Slotte’s paintings are seen next to classics such as Wäinö Aaltonen, Fanny Churberg, Magnus Enckell, Tove Jansson, Hugo Simberg and Helene Schjerfbeck. The exhibition is on view until 14 June 2026.

Image: Joel Slotte, Näkki, 2021, oil on canvas, 60 x 54 cm. Photo: Joel Slotte

Elina Merenmies on view at ARKEN museum in Denmark

Works by Elina Merenmies are featured in ARKEN museum’s collection exhibition of Nordic contemporary art in Ishøj, Denmark. The exhibition, titled 55.6° North, poses questions about the world and reality we are living in right now, exploring a wide field of artistic expressions and practices – from the ritualistic and mythical to the raw, bodily, and political.


 

“The exhibition is full of cracks and openings that let us move in and out of the Nordic. All the artists are from the Nordic region or connected to it. They have a global outlook and allow us to see their own cultures from the inside. They are rooted in the present while carrying history with them. Issues of identity and power, welfare and consumption, nature and climate are among the themes that engage them.”

 

55.6° North opens 5 February and runs until 30 August 2026.

Image: Elina Merenmies, Party Animal, 2002, ink on paper, 24 x 32 cm

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Noora Schroderus and Päivi Takala on view in New York

Works by Noora Schroderus and Päivi Takala are currently on view in Cartographic Affinities group exhibition at Ulterior Gallery in New York. Together with Elina Vainio, the three artists explore the shifting space between humans, animals, and the natural world. The exhibition maps out that realm, revealing the inconsistencies, uncertainties, and vulnerabilities of humankind’s coexistence in nature’s ecosystems.

Noora Schroderus embroiders the names of dogs with their own hair, drawing a wry and poignant analogy that questions how humans understand their relationships with other nonhuman beings. Using actual dog fur, her embroidery works become intimate portraits of companionship and co-existence. In contrast with this intensely bound connection, Päivi Takala’s paintings adopt a quieter, more contemplative approach to human-animal connections. Her recurring motifs, such as depictions of horses and birds, meditate on the nature of that intimacy between species, but also on the unbridgeable expanse that separates them.

The exhibition, running until 21 February, is co-organized with The Finnish Cultural Institute in New York and the Consulate General of Finland in New York through their partnership with the New Art Dealers Alliance, with support of a grant by Jane and Aatos Erkko Foundation, Finlandia Foundation National, and The Ministry of Education and Culture in Finland.
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Image: Installation view

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Salla Tykkä’s solo exhibition in Bologna

Salla Tykkä’s first solo exhibition in Italy is on view until 31 January, at Galleria Studio G7, in Bologna. The Will, curated by Marinella Paderni, features Tykkä’s most recent video and photographic work.

Tykkä’s video piece The Will (2024) is built from images and sounds gathered through an ongoing process of observation. The film traces the formation of value, illuminating the trajectories that connect family and home, entrepreneurship and labor. The photographic works Contact 1–3 (2024) is made up of multiple film frames that challenge the notion of accidental observation. The contact prints reveal the subjective and ideological nature of vision, exposing the artist’s choices and point of view at the moment the image is taken.

The exhibition underscores how, for Tykkä, the image is everything. It is the privileged site where a process of identification takes shape, one that activates remote memory and, with it, recollections, fantasies, dreams, and fears. The value attributed to images ultimately shapes history. For this reason, Tykkä weaves personal experience together with a collective dimension, addressing socio-political questions and generating shared metaphors that reflect on the mechanisms of both external and internal social control.

Image: Salla Tykkä, Contact 2, 2024, C-Print, mounted on aluminium composite, museum glass, 101,5 x 75,5 cm

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Anna Tuori’s solo exhibition in Berlin

Anna Tuori’s solo exhibition Paradise News has opened at Contemporary Fine Arts gallery in Berlin. Tuori’s new works engage in a loose dialogue with the tradition of still life and memento mori. The morbid and disturbing comes to the fore, and the body becomes a bearer of existential meaning. Feelings of shelter and fear coexist.

“The works follow neither a logic of either/or nor an impulse toward reconciliation. Instead, they allow contradictory sensations to remain side by side, pointing to an underlying existential unease and to the fragmentary nature of perception itself – always situational, always shaped by sentiment.”

The exhibition runs until 28 February.
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Image: Anna Tuori, Off on an Adventure, 2025, acrylic and oil on canvas, 140 x 120 cm

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